Year |
Title |
Link |
Publisher / Gallery |
2023 |
Florence’s contemporary renaissance |
|
Art Basel |
2022 |
What is art patronage in the 21st century? |
|
Art Basel |
2022 |
London at its bohemian best: a short history of the Groucho Club |
|
Art Basel |
2022 |
ZDHC - Impact Report 2021 |
|
ZDHC |
2021 |
ZDHC - Impact Report 2020 |
|
ZDHC |
2020 |
Brave New (Art) World: How 2020 is reshaping the art market and the art world |
|
Floreat |
2020 |
FINI ART MAGAZINE ISSUE No.1 |
|
FINI ART MAGAZINE ISSUE No.1 |
2019 |
On Animals in Western Art |
|
Modern Forms |
2019 |
The Asset Strippers: Mike Nelson, Ian Beesley and the art of industrial decline |
|
Modern Forms |
2019 |
Art and Money: The market and meaning |
|
Modern Forms |
2015 |
Gizem Karakaş, Your Last Chance to Visit Studio, Istanbul |
|
Dazed |
2014 |
Turkish Delight: Why Istanbul is on the Contemporary Art Map |
|
Spectator |
2014 |
John Maeda, Painting by Pixel, Carrier Foundation, Paris |
|
Dazed |
2013 |
Shezad Dawood, Piercing Brightness, Paradise Row |
|
Nowness |
2013 |
How Modern Architecture Lost its Way in L.A. |
|
Newsweek |
2013 |
Mounir Fatmi, History is Not Mine, Paradise Row |
|
Nowness |
2012 |
Hajj: Journey to the Heart of Islam, British Museum |
|
Evening Standard |
2012 |
Citigroup Photography Prize, The Photographer's Gallery |
|
Evening Standard |
2012 |
Nelson Mandela, Belgravia Gallery |
|
Evening Standard |
2012 |
Tracey Emin, Counter Gallery |
|
Evening Standard |
2011 |
Adam Broomberg and Oliver Chanarin, Paradise Row |
|
Nowness |
2010 |
Desiree Dolron's Exaltation Series WITH ACCOMPANYING ESSAY BY NICK HACKWORTH IN SOME/THINGS ISSUE003 |
|
Some/Things ISSUE003 |
2006 |
China Power Station: Part 1, Battersea Power Station |
|
Evening Standard |
2006 |
Idris Khan, Victoria Miro |
|
Evening Standard |
2006 |
Pierre Huyghe: Celebration Park, Tate Modern |
|
Evening Standard |
2006 |
World Into Art: Artists of the Modern Middle East, British Museum |
|
Evening Standard |
2006 |
Bill Viola — Love/Death: The Tristan Project, Haunch of Venison |
|
Evening Standard |
2006 |
Francis Bacon: Triptychs/Damien Hirst: A Thousand Years & Triptychs, Gagosian Gallery |
|
Evening Standard |
2006 |
BP Portrait Award 2006, National Portrait Gallery |
|
Evening Standard |
2006 |
Che Guevara, V&A Museum |
|
Evening Standard |
2006 |
Che Guevara: Revolutionary and Icon/ Sixties Graphics, V&A Museum |
|
Evening Standard |
2006 |
Thomas Demand, Serpentine Gallery |
|
Evening Standard |
2006 |
Gary Hume – Cave Paintings, White Cube |
|
Evening Standard |
2005 |
Designing Modern Britain, Design Museum |
|
Evening Standard |
2005 |
Peter Howson, Flowers East |
|
Evening Standard |
2005 |
Ilya and Emilia Kabakov, The Amazing Technicolor Dreamboat |
|
The Telegraph |
2005 |
David Hockney Midsummer: East Yorkshire 2004, Somerset House |
|
Evening Standard |
2005 |
Paul McCarthy LaLa Land, Whitechapel Gallery |
|
Evening Standard |
2005 |
Frieze Art Fair, Regent’s Park |
|
Evening Standard |
2005 |
We want to commit violence to ideas |
|
Evening Standard |
2005 |
Universal Experience: Art, Life and the Tourist's Eye, Hayward Gallery |
|
Evening Standard |
2005 |
The artists bringing the heat to Art Basel Miami |
|
Dazed |
2005 |
Deutsche Börse Prize 2005, The Photographers' Gallery |
|
Evening Standard |
2005 |
Robert Crumb, Whitechapel Gallery |
|
Evening Standard |
2005 |
John Virtue, National Gallery |
|
Evening Standard |
2005 |
Beck's Futures, ICA, London |
|
Evening Standard |
2005 |
Tomoko Takahashi, Serpentine Gallery |
|
Evening Standard |
2005 |
August Strindberg, Painter, Photographer, Writer, Tate Modern |
|
Evening Standard |
2005 |
Dan Flavin: Works from the Sixties, Haunch of Venison |
|
Evening Standard |
2005 |
Toby Paterson, Curve Gallery, Barbican |
|
Evening Standard |
2005 |
Imageless Icons, Gagosian |
|
Evening Standard |
2005 |
Louise Bourgeois at Hauser & Wirth |
|
Evening Standard |
2005 |
Anthony Caro, Tate Britain |
|
Evening Standard |
2005 |
In Bloom: Afghanistan's Heroin Boom |
|
Dazed |
2004 |
Top Picks from the Evening Standard Critics |
|
Evening Standard |
2004 |
Designing Modern Life, The Design Museum |
|
Evening Standard |
2004 |
Wildlife Photographer of the Year at the Natural History Museum |
|
Evening Standard |
2004 |
Wildlife Photographer of the Year, Natural History Museum |
|
Evening Standard |
2004 |
Wildlife Photographer of the Year 2004, The Natural History Museum |
|
Evening Standard |
2004 |
Conrad Shawcross, Continuum, The National Maritime Museum |
|
Evening Standard |
2004 |
The Kenneth E Tyler Print Gift, Tate Modern |
|
Evening Standard |
2004 |
Fred Tomaselli and Stephen Gontarski at White Cube |
|
Evening Standard |
2004 |
Faces in the Crowd at Whitechapel Gallery |
|
Evening Standard |
2004 |
The Turner Prize in 2004 |
|
Evening Standard |
2004 |
Gary Webb: Deep Heat T-Reg Laguna at Chisenhale Gallery |
|
Evening Standard |
2004 |
Shrinking Childhoods, Tate Modern |
|
Evening Standard |
2004 |
Keith Tyson: Geno/Pheno Paintings at Haunch of Venison |
|
Evening Standard |
2004 |
Marc Newson, Design Museum |
|
Evening Standard |
2004 |
Eyes, Lies and Illusions, Hayward |
|
Evening Standard |
2004 |
John Bock, Klütterkammer, ICA |
|
Evening Standard |
2004 |
Thomas Joshua Cooper: Point of No Return, Haunch of Venison |
|
Evening Standard |
2004 |
Steve McQueen, South London Gallery |
|
Evening Standard |
2004 |
Daniel Libeskind, The Space of Encounter, Barbican |
|
Evening Standard |
2004 |
Paul Noble, Whitechapel Gallery |
|
Evening Standard |
2004 |
Glenn Brown, Serpentine Gallery |
|
Evening Standard |
2004 |
Black President: The Art and Legacy of Fela Anikulapo-Kuti, Barbican Curve |
|
Evening Standard |
2004 |
Contemporary Art Exhibitions 2004 |
|
Evening Standard |
2004 |
Summer Show, South London Gallery |
|
Evening Standard |
2004 |
Perfectly Placed South London Gallery, |
|
Evening Standard |
2004 |
Edward Burtynsky, Flowers Central |
|
Evening Standard |
2004 |
Saul Bass, Design Museum |
|
Evening Standard |
2004 |
Fiction Timothy, Taylor Gallery |
|
Evening Standard |
2004 |
Galleon and Other Stories, Saatchi Gallery |
|
Evening Standard |
2004 |
Christopher Bucklow & William Blake/I Will Save Your Life |
|
Evening Standard |
2004 |
Luc Tuymans, Tate Modern |
|
Evening Standard |
2004 |
Frank Cohen Collection: A Selection, 3 Grafton Street |
|
Evening Standard |
2004 |
Not the Turner Prize, Mall Galleries |
|
Evening Standard |
2004 |
East End Academy, Whitechapel Gallery |
|
Evening Standard |
2004 |
Sarah Morris/ Los Angeles, White Cube |
|
Evening Standard |
2004 |
Art of the Garden Tate Britain & The Other Flower Show V&A |
|
Evening Standard |
2004 |
Being Present: Eight Painters, Jerwood Space |
|
Evening Standard |
2004 |
Michael Landy: Semi-Detached, Tate Britain |
|
Evening Standard |
2004 |
The Turner Prize, 2004 |
|
Evening Standard |
2004 |
Alison Lapper, Eyestorm Gallery |
|
Evening Standard |
2004 |
Mike Nelson: Triple Bluff Canyon, Modern Art Oxford |
|
Evening Standard |
2004 |
Helen Chadwick, Barbican |
|
Evening Standard |
2004 |
Tina Modotti and Edward Weston, Barbican |
|
Evening Standard |
2004 |
Antony Gormley, White Cube |
|
Evening Standard |
2004 |
Raoul de Keyser/Edge of the Real, Whitechapel Art Gallery |
|
Evening Standard |
2004 |
The Adventures of Tintin at Sea National, Maritime Museum |
|
Evening Standard |
2004 |
Heaven on Earth: Art from Islamic Lands, Somerset House |
|
Evening Standard |
2004 |
Annie Leibovitz, The Hospital |
|
Evening Standard |
2004 |
State of Play, Serpentine Gallery |
|
Evening Standard |
2004 |
Donald Judd/Constantin Brancusi |
|
Evening Standard |
2004 |
Gavin Turk, White Cube |
|
Evening Standard |
2003 |
A serious eye for the absurd |
|
Evening Standard |
2003 |
Reflections on Robben Island, Belgravia Gallery |
|
Evening Standard |
2003 |
Which way will the judges go? |
|
Evening Standard |
2003 |
Common Wealth, Tate Modern |
|
Evening Standard |
2003 |
Jennifer Allora and Guillermo Calzadilla, Thomas Hirschhorn, Carsten Höller and Gabriel Orozco, Common Wealth, Tate Modern |
|
Evening Standard |
2003 |
Paul McCarthy, Hauser & Wirth |
|
Evening Standard |
2003 |
Craigie Aitchison |
|
Evening Standard |
2003 |
Sigmar Polke: History of Everything, Tate Modern |
|
Evening Standard |
2003 |
Stephen Wiltshire, Not a Camera, Orleans House Gallery |
|
Evening Standard |
2003 |
Bloomberg New Contemporaries 2003, Wharf Road |
|
Evening Standard |
2003 |
Yoko Ono: Give piece a chance |
|
Evening Standard |
2003 |
Franz West, Whitechapel Gallery |
|
Evening Standard |
2003 |
Damien Hirst, White Cube |
|
Evening Standard |
2003 |
Garrick/Milne Prize for Theatrical Portraiture, Christie’s |
|
Evening Standard |
2003 |
The lost generation |
|
Evening Standard |
2003 |
Peter Blake: Commercial Art, London Institute Gallery |
|
Evening Standard |
2003 |
MILK, The Broad Walk, Regent’s Park |
|
Evening Standard |
2003 |
Clarence House, 2003 |
|
Evening Standard |
2003 |
Video Acts, ICA |
|
Evening Standard |
2003 |
Ian Davenport, Waddington Galleries |
|
Evening Standard |
2003 |
Ian Davenport |
|
Evening Standard |
2003 |
Richard Long, Haunch of Venison |
|
Evening Standard |
2003 |
Richard Long, Here and Now and Then, Haunch of Venison |
|
Evening Standard |
2003 |
Wedded festival bliss |
|
Evening Standard |
2003 |
The Art of Chess, Somerset House |
|
Evening Standard |
2003 |
Chris Ofili, British Pavilion, 50th Venice Biennale |
|
Evening Standard |
2003 |
Cruel and Tender, Tate Modern |
|
Evening Standard |
2003 |
Treat Yourself, Science Museum |
|
Evening Standard |
2003 |
Treat Yourself, Science Museum |
|
Evening Standard |
2003 |
Paul McCarthy, Tate Modern |
|
Evening Standard |
2003 |
Paul McCarthy, Tate Modern |
|
Evening Standard |
2003 |
Anish Kapoor, Lisson / Antony Gormley, Baltic |
|
Evening Standard |
2003 |
Jerwood Painting Prize, 2003 |
|
Evening Standard |
2003 |
Chantal Joffe Victoria, Miro Galllery, |
|
Evening Standard |
2003 |
Thatcher, Blue Gallery |
|
Evening Standard |
2003 |
Peter Howson, Flowers East |
|
Evening Standard |
2003 |
Thatcher, The Blue Gallery |
|
Evening Standard |
2003 |
Pavilion, Bloomberg Space |
|
Evening Standard |
2003 |
Terry Frost, Beaux Arts |
|
Evening Standard |
2003 |
Jane and Louise Wilson, Lisson Gallery |
|
Evening Standard |
2003 |
Cristina Iglesias, Whitechapel Gallery |
|
Evening Standard |
2003 |
Cristina Iglesias, Whitechapel Gallery |
|
Evening Standard |
2003 |
Antoni Tapies, the Waddington Galleries |
|
Evening Standard |
2003 |
Antoni Tàpies, Waddington Galleries |
|
Evening Standard |
2003 |
Simon Martin, Counter Gallery |
|
Evening Standard |
2003 |
Richard Billingham, Anthony Reynolds Gallery |
|
Evening Standard |
2003 |
Richard Billingham, New Pictures, Anthony Reynolds Gallery |
|
Evening Standard |
2003 |
Andreas Gursky, Inside the White Cube |
|
Evening Standard |
2003 |
Richard Wilson, The Wapping Project |
|
Evening Standard |
2003 |
Sebastiao Salgado, Barbican |
|
Evening Standard |
2003 |
Kutlug Ataman, Serpentine Gallery |
|
Evening Standard |
2003 |
Kutlug Ataman, Serpentine Gallery |
|
Evening Standard |
2003 |
Chuck Close, White Cube |
|
Evening Standard |
2003 |
Gustav Metzger, Bedford House |
|
Evening Standard |
2003 |
Blinky Palermo, Serpentine Gallery |
|
Evening Standard |
2003 |
Gustav Metzger, Bedford House |
|
Evening Standard |
2003 |
Publicness, ICA |
|
Evening Standard |
2003 |
Batteries Not Included: Conrad Shawcross |
|
Dazed |
2003 |
Rijksakademie Victoria, Miro Gallery |
|
Evening Standard |
2002 |
The Alternative Turner Prize 2002 |
|
Evening Standard |
2002 |
Why aren’t these up for the Turner? |
|
Evening Standard |
2002 |
Patrick Caulfield, Waddington Galleries |
|
Evening Standard |
2002 |
Bloomberg New Contemporaries, Barbican |
|
Evening Standard |
2002 |
Bloomberg New Contemporaries, Barbican |
|
Evening Standard |
2002 |
Cornelia Parker, Frith Street Gallery |
|
Evening Standard |
2002 |
Cornelia Parker, Frith Street Gallery |
|
Evening Standard |
2002 |
Eva Hesse, Tate Modern |
|
Evening Standard |
2002 |
Eva Hesse, Tate Modern |
|
Evening Standard |
2002 |
Takashi Murakami, Serpentine Gallery |
|
Evening Standard |
2002 |
Rachel Whiteread, Haunch of Venison |
|
Evening Standard |
2002 |
The Turner Prize 2002, Tate Britain |
|
Evening Standard |
2002 |
It's art, Brian, but not as you know it |
|
Evening Standard |
2002 |
McHeart of darkness |
|
Evening Standard |
2002 |
America – Andreas Serrano, Gimpel Fils |
|
Evening Standard |
2002 |
Michael Craig-Martin, Waddington Galleries |
|
Evening Standard |
2002 |
Ilya Kabakov: The Toilet in the Corner, Sprovieri |
|
Evening Stnadard |
2002 |
Gary Hume, White Cube |
|
Evening Standard |
2002 |
Rodney Graham, Whitechapel Gallery |
|
Evening Standard |
2002 |
Lothar Hempel, ICA |
|
Evening Standard |
2002 |
Grayson Perry: Guerrilla, Tactics Barbican |
|
Evening Standard |
2002 |
Fiona Banner, Frith Street Gallery |
|
Evening Standard |
2002 |
Anya Gallaccio: Beat, Tate Britain |
|
Evening Standard |
2002 |
Sensoria, The Approach |
|
Evening Standard |
2002 |
Notably, Pump House |
|
Evening Standard |
2002 |
Location UK, Gimpel Fils |
|
Evening Standard |
2002 |
Till Exit: Strahlung.en, Matt’s Gallery |
|
Evening Standard |
2002 |
Electric Dreams, Barbican |
|
Evening Standard |
2002 |
B.Open Baltic, Gateshead |
|
Evening Standard |
2002 |
Early One Morning, Whitechapel Gallery, |
|
Evening Standard |
2002 |
Exhibition : Thomas Joshua Cooper |
|
Evening Standard |
2002 |
Chris Ofili Victoria, Miro Gallery |
|
Evening Standard |
2002 |
X marks the new hot spot |
|
Evening Standard |
2002 |
Robert Rauschenberg, Waddington Galleries |
|
Evening Standard |
2002 |
Dave Falconer, Modern Art |
|
Evening Standard |
2002 |
Marcus Vater, Vilma Gold |
|
Evening Standard |
2002 |
Larry Poons: New Paintings, Bernard Jacobson Gallery |
|
Evening Standard |
2002 |
Crucified for his art |
|
Evening Standard |
2002 |
Jerwood Painting Prize, 2002 |
|
Evening Standard |
2002 |
Landscape: Part One, Saatchi Gallery |
|
Evening Standard |
2002 |
THE POSTHUMAN FUTURE: Consequences of the Biotechnology Revolution by Francis Fukuyama |
|
Evening Standard |
2002 |
Liam Gillick: Get Lost, Wood Way Whitechapel Art Gallery |
|
Evening Standard |
2002 |
The Upright Figure, Tate Modern |
|
Evening Standard |
2002 |
Eija-Liisa Ahtila, Tate Modern |
|
Evening Standard |
2002 |
Sam Taylor-Wood, Hayward Gallery |
|
Evening Standard |
2002 |
Peter Doig: 100 Years Ago, Victoria Miro Gallery |
|
Evening Standard |
2002 |
Beck’s Futures, ICA |
|
Evening Standard |
2002 |
The Annual Boat Race |
|
Evening Standard |
2002 |
Stan Douglas, Serpentine Gallery |
|
Evening Standard |
2002 |
Douglas Huebler, Camden Arts Centre |
|
Evening Standard |
2002 |
L.A. Raeven, ICA |
|
Evening Standard |
2002 |
Nan Goldin: Devil's Playground, Whitechapel Art Gallery |
|
Evening Standard |
2002 |
Keith Tyson, Supercollider, South London Gallery |
|
Evening Standard |
2002 |
The Carnegie Art Award, Victoria Miro Gallery |
|
Evening Standard |
2002 |
The Family of the Infante Don Luis, National Gallery |
|
Evening Standard |
2002 |
Roman Signer X, Camden Arts Centre |
|
Evening Standard |
2002 |
Richard Artschwager, Serpentine Gallery |
|
Evening Standard |
2001 |
In many ways the exhibition has already happened, ICA |
|
Evening Standard |
2001 |
Ten artists in the frame for £65,000 prize fund |
|
Evening Standard |
2001 |
Painterly Photogrphy, Blains Fine Art |
|
Evening Standard |
2001 |
The Americans: New Art, Barbican Gallery |
|
Evening Standard |
2001 |
Doug Aitken/New Ocean, Serpentine Gallery |
|
Evening Standard |
2001 |
Abigail Lane: Tomorrows world, Yesterdays fever, Victoria Miro Gallery |
|
Evening Standard |
2001 |
‘See a pigephant, it’ll scare the s*** out of you’ |
|
Evening Standard |
2001 |
InsideSpace, Selfridges |
|
Evening Standard |
2001 |
Facts of life, Hayward Gallery |
|
Evening Standard |
2001 |
Sophie Von Hellermann, Saatchi Gallery at Underwood Street, |
|
Evening Standard |
2001 |
Ben Nicholson, Helly Nahmad Gallery |
|
Evening Standard |
2001 |
Boris Mikhailov/Case History X, Saatchi Gallery |
|
Evening Standard |
2001 |
Ideal home show, Gimpel Fils |
|
Evening Standard |
2001 |
Steven Dowson, Sadie Coles |
|
Evening Standard |
2001 |
Lie of the land, British Library |
|
Evening Standard |
2001 |
The Map Is Not the Territory, England & Co |
|
Evening Standard |
2001 |
Juan Munoz/ Double Blind, Tate Modern |
|
Evening Standard |
2001 |
Malcolm Morley at Hayward Gallery |
|
Evening Standard |
2001 |
David Nash, Annely Juda |
|
Evening Standard |
2001 |
Jeremy Blake/Chemical Sundown, Dot |
|
Evening Standard |
2001 |
Gilbert and George New Horny Pictures, White Cube |
|
Evening Standard |
2001 |
Chapwomen, Modern Art Inc |
|
Evening Standard |
2001 |
Bill Viola, Anthony d’Offay Gallery |
|
Evening Standard |
2001 |
Chen Zhen, Serpentine Gallery |
|
Evening Standard |
2001 |
Bill Woodrow: The Beekeeper,South London Gallery |
|
Evening Standard |
2001 |
Art now: Art and Money Online, Tate Britain |
|
Evening Standard |
2001 |
Beck’s Futures 2, ICA Galleries |
|
Evening Standard |
2001 |
Why Saatchi goes shopping in Deptford |
|
Evening Standard |
2001 |
Angus Fairhurst, Sadie Coles |
|
Evenign Standard |
2001 |
Peter Davies, Gagosian |
|
Evening Standard |
2001 |
Settings and Players, White Cube2 |
|
Evening Standard |
2001 |
Nathaniel Mellors, Matt’s Gallery |
|
Evening Standard |
2001 |
The future from memory/Emma Kay, No thanks for the memories |
|
Evening Standard |
2001 |
Julian Opie, Lisson Gallery |
|
Evening Standard |
2001 |
City racing 1988-1998: A partial account, Institute of Contemporary Arts |
|
Ecening Standard |
2001 |
Futurism and Photography, Estorick Collection |
|
Evening Standard |
2001 |
Give and Take, Serpentine Gallery/Victoria & Albert Museum |
|
Evening Standard |
2001 |
Tariq Alvi at Whitechapel Gallery |
|
Evening Standard |
2001 |
I AM CAMERA, Saatchi Gallery |
|
Evening Standard |
2001 |
Gavin Turk/The Che Gavara Story, The Foundry |
|
Evening Standard |
2000 |
Brice Marden, Serpentine Gallery |
|
Evening Standard |